现实主义

视频简介

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。台湾某私立大学拳击社因人气低迷，正面临这被学校关闭的命运。该社的教练也将就此失业，这令教练的女儿——同时也是拳击社的女经理人——丁小葵（郭采洁 饰）忧心忡忡。万人迷社长赵大杰（彭于晏 饰）虽然身有旧伤，却仍决定全力拼搏，在选拔赛上取得优异成绩，同时也为了却心中夙愿。 　　正值此时，两名大陆学生转到这所学校。男孩陈家翔（明道 饰）是北京综合大学拳击队前主将，曾取得全国大赛的冠军，却因一场车祸留下头疼的后遗症，从此与拳击绝缘；女孩迟姗姗（苑新雨 饰）拉的一手优美的小提琴，同时也是家翔的粉丝。在小葵和珊珊的激励下，家乡决定走回拳台。青春男女为了各自的理想挥洒汗水……。