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伍迪是一名舞台剧演员。一天伍迪结束表演后，来到法式餐厅和妻子劳拉以及两个可爱的女儿碰面。然而劳拉无意中看到了报纸上报道的伍迪和三个女人的桃色新闻。这对劳拉打击很大，无法面对伍迪的劳拉决心先带孩子回酒店休息。两人约定先冷静一段时间，并决定午夜后再碰面，给伍迪一次解释的机会。这时伍迪在餐厅偶遇的伊朗王子邀请伍迪到酒吧去参加吉普赛派对。伍迪决定借助参加派对的时间让自己好好冷静一下。伍迪本打算只在酒吧待一会儿就回到酒店并向妻子道歉，却在派对上和老友欧文·威尔逊相遇。欧文因为伍迪的绯闻事件对其不客气的羞辱了一顿，于是两人起了争执，大打出手，伍迪在治安警察的追赶下只得狼狈逃跑。而这一幕又被狗仔拍个正着。为了躲避狗仔，伍迪急忙逃进路边等客人的出租车，又因为身上的血渍和不小心刮花了出租车的喷漆，与出租司机发生纠纷被警察逮捕。警局的值班长官是出租司机的亲戚，伍迪被关押进了警局，并被长官一番奚落。伍迪没有保释金也不能打电话给妻子，他只能等待第二天地方法官的判决。劳拉此时得知桃色新闻是假的以及伍迪被抓进了监狱，她亲自去拜托欧文·威尔逊将伍迪保释出来。伍迪被释放的那天，劳拉带着孩子和伍迪相聚，一家人一起去哈利·波特杀青片场探班。。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。