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故事发生在民国时期。因报林家救命之恩，开钱庄的白老太爷（雷恪生 饰）被迫答应十五岁独子白子义（魏韩 饰）娶长他八岁的林家长女林燕娇（马晓静 饰）为妻，殊不知这是林老太爷（英达 饰）为将来侵吞白家财产所设的局。林燕娇（王丽云 饰）嫁入白家十几年未曾生育，她自做主张将亲戚余梅兰塞给王子义（田小洁 饰）做偏房，一年后余氏生下一女，林燕娇狸猫换太子将其换成男孩，取名旺儿，并将其弟林望兴（荆洁 饰）安插在白家钱庄做事，打压为白家默默做事一辈子的李掌柜（郭勇 饰），妄图夺取白家全部财产。为巩固在白家的地位，林燕娇可谓不择手段，她利用陪嫁丫头香菱（虞梦 饰），对白子义娶进家门的姨太太们施展了穷尽的本领……。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。