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在深入调查贩毒团伙制造的一场连环谋杀案的同时，特警Amar也察觉到更多的阴谋和疑云，和更大的危险……。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。这部由六部分组成的犯罪惊悚片以爱丁堡为背景，讲述侦探督察雷·伦诺克斯（多格雷·斯科特饰）调查失踪女学生的故事。随着女孩的失踪让这座城市的中心感到恐惧，伦诺克斯和他的同事们试图找出发生了什么事，同时他与自己的个人恶魔作斗争，警察部门内部也发生了内讧。与此同时，在阴影中观看和等待是准备出击的残酷杀手...... 本片改编自《猜火车》原著作者埃文·威尔什的同名小说。