钟汉良orea

视频简介

Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented. The following is his story: In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around. Notes The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。有如秘境一般的荒郊野外，逡巡着一个有些落寞的中年垂钓者。他的生活一团混乱，老婆早先离家出走，女儿也患病在身。已过而立之年，却一事无成，俨然一个人生的完败者。他在岸边支起数根钓鱼竿，静静地等待鱼儿的上钩，然后恶狠狠地将它们切成块。太阳西垂，男人似乎没有返家的打算，依然故我地带在这片无人所在。突然，似有鱼儿咬钩，他奋力扯线，拼得精疲力竭，结果发现扯上来的竟是一具女尸（李贞贤 饰）。男人惊恐万分，想要摆脱反被鱼线将他和女尸紧紧缠绕。不久女尸活转过来，惊魂未定的男人又不得不经历一次无常轮回的生离死别…… 本片采用IPone4拍摄，并荣获2011年柏林国际电影节最佳短片奖。。山口組勢力拡大抗争のヤマ場である“大阪極道戦争”のさなか、26歳のチンピラが山口組三代目組長・田岡一雄を銃撃。この事件の犯人・鳴海清への取材によって書かれた『ドンを撃った男』を「さらば愛しのやくざ」の和泉聖治監督が映画化。無鉄砲なチンピラだった成田テツオは西成義賊団団長の村山に拾われて極道の世界に道を踏み入れる。やがてテツオは時をおかず始まったヤクザ社会の大きな抗争の渦に巻き込まれていく。。